About Jane Wang

JANE WANG

Taipei, Taiwan-based independent choreographer and artist.

Focused on the topics of "environmental sustainability and equality," she obtained a Permaculture Design Certificate in 2021. She will pursue a Master's degree in Dance at the Taipei National University of Arts (TNUA) in 2025, and graduated from the Dance Department of University of Taipei.

Her previous works have been presented at Chiayi New Choreography Platform (2025), Dadaocheng International Arts Festival (2024), Asia Dance Festival in Seoul , South Korea (2023), Sun-She Salon (2023), and the National Taichung Theater New Arts Program – Work-in-Progress Presentation (2022), among others. From 2022 to 2024, she initiated the Duet Body Cross-Disciplinary Project, integrating Contact Improvisation with acrobatic partnering. During her residency at Keelung Artist Residency – “Growing Ferns, Becoming Ferns” Project in 2023, she developed the concept of “Plant-Flow Body ,” exploring connections between human bodily vocabularies and plant life. From 2023 to 2024, she pursued further training in circus acrobatics and partner techniques in Australia, continuing to refine her duet-based physical practice and research.

Choreography / Performance experience

2025 - Chiayi New Style Choreography (Title of work to be determined) 2024 - TTTIFA《Walk, Wall, War 》 2023 - Asia Dance Festival in Seoul《Indulge In… 》 2023 - Dance Now Asia Showcase《Indulge In… 》 2023 - Sun-Shier Salon Creative Space《Paper House》 2023 - Taiwan Keelung Residency："Fern Planting" Artist Residency 2022 - FENG Dance Company-Choreography Program《Involve》 2022 - Body EDT : U3 Choreography Project《Indulge In… 》＊premiere 2022 - National Taichung Theater《Death space》 2020 - Independent Production 《Breathe Inside》 2019 - Taipei Fringe Festival《Cradle Forest》

DuoBody Taipei

“DuoBody Taipei" was co-founded by Taiwanese choreographer and dancer Jane Wang and circus acrobat Yu-Yuan Lin . Since 2022, the duo has focused on "duet performance" as the core of their team’s creative direction, blending the physicality of "contact improvisation/contemporary dance" with the high-level techniques of "acrobatics duos." Their long-term goal is to explore the interplay of "softness overcoming hardness" in their physical expressions as a foundation for theatrical creations and to promote duo body movement classes. I n recent years, they have also collaborated with the Seoul International Dance Festival in Korea, the Yilan City Government, the Taipei Philharmonic Orchestra, the Dadaocheng International Arts Festival, the Department of Design at National Taipei University of Technology, the "Virtual-Real Project,”Agaru and other domestic and international art festivals, government entities, schools, and art groups.